Download e-book for iPad: An Atlas of Animal Anatomy for Artists by W. Ellenberger, H. BAUM, H. DITTRICH

By W. Ellenberger, H. BAUM, H. DITTRICH

ISBN-10: 0486200825

ISBN-13: 9780486200828

Contains transparent instructions for drawing horses, canines, cats, lions, livestock, deer, and extra. Covers muscular tissues, skeleton, and floor beneficial properties. An enlarged variation of the elemental paintings within the box. 288 illustrations.

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Extra info for An Atlas of Animal Anatomy for Artists

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TANJA GANT Graphite and colored pencil on Strathmore bristol paper / 8" × 10" (20cm × 25cm) Shadows was inspired by the strong contrast in values, unorthodox composition, and lines that make the eye glide across the composition and draw the viewer in. I worked from a photograph of my stepson, which I had taken some seven years prior. Being aware that colored pencil doesn’t layer well over graphite, I had to finish the colored pencil parts first (background, figure, stripes on the shirt) before I could add the shadows in graphite on the sofa cushions and the shirt.

Creating the change in scale in the clouds and the palms quickly brings you through the painting and into the distance, which I think is a key to representing a sense of depth in a painting. NEW BURN. JACQUELINE ROCH Pastel on La Carte sanded paper / 25" × 33" (64cm × 84cm) In New Burn I revisited Big Cypress National Preserve, part of the Everglades National Park, where I had been artist-in-residence. I often return to images of the area for landscape inspiration. This particular day was quite remarkable.

I refer to these Hindu temples as “cloud temples” as they all reside above 10,000 feet (3,050m) in altitude. At Kedarnath I stood in back of the temple and sketched its massive structure in the cloudy mist and drizzle that was present most of the day. It’s actually quite moody and my use of the 9B woodless graphite pencil on paper allowed me to create a halftone mid-value blend to help capture the feeling of fog. CHARTRES, FRANCE – THE CATHEDRAL. GEORGE LOLI Black ink, fountain pen, charcoal, watercolor and pastels on paper 9" × 51⁄2" (23cm × 14cm) As I was standing on a small bridge on a beautiful spring day, observing the grand cathedral from a distance, the campaniles magically pierced the sky, the water gently flowed, and the wind rushed through the trees over the plush green landscape.

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An Atlas of Animal Anatomy for Artists by W. Ellenberger, H. BAUM, H. DITTRICH


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