By Neil Campbell, Alasdair Kean
Drawing on literature, artwork, movie theatre, song and masses extra, American Cultural stories is an interdisciplinary creation to American tradition for these taking American experiences. This textbook: * introduces the complete variety and diversity of yankee tradition together with problems with race, gender and adolescence* offers a really interdisciplinary technique* indicates and discusses quite a few methods to check* highlights American forte* attracts on literature, paintings, movie, theatre, structure, tune and extra* demanding situations orthodox paradigms of yankee reviews. This is a fast-expanding topic sector, and Campbell and Kean's publication will surely be a staple a part of any cultural experiences student's analyzing vitamin.
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Additional info for American Cultural Studies: An Introduction to American Culture
A. 6. Rutherford, J. ) (1990) Identity: Community, Culture, Difference, London: Lawrence and Wishart. Rylance, R. (1994) Roland Barthes, London: Harvester Wheatsheaf. Sayres, S. et al (eds) (1984) The 60s Without Apology, Minneapolis: University of Minnesota Press. Smart, B. (1993) Postmodernity, London: Routledge. Smith, S. (1993) Subjectivity, Identity and the Body, Bloomington: Indiana University Press. W. (1989) Postmodern Geographies: The Reassertion of Space in Critical Social Theory, London: Verso.
1994) Social Theory and the Politics of Identity, Oxford: Blackwell. Clifford, J. (1988) The Predicament of Culture, Cambridge, MA: Harvard University Press. Deleuze, G. and Parnet, C. (1987) Dialogues, London: The Athlone Press. Ferlinghetti, L. (1968) A Coney Island of the Mind, San Francisco: City Lights. S. (1974) (first 1926) The Great Gatsby, Harmondsworth: Penguin. Foucault, M. (1980) Power/Knowledge: Selected Interviews and Other Writings 1972–77, London: Harvester Wheatsheaf. Gidley, M.
Change seems impossible, as the camera lifts above the final fiery destruction, in a shot reminiscent of the concluding shot of Field of Dreams, but unlike that film’s sense of regeneration and possibility, Easy Rider ends in horror, death and the denial of alternatives. As Richard King has written, ‘since the 1960s it has been impossible to see American culture as a unitary or even dualistic entity…[and] plurality emerged with full force as an ideal’ (Gidley 1993:373). The 1960s opened a dialogue with the stale imagery of the American Dream and sought to reinvent it with hope and to enlarge it through inclusiveness, by ‘stressing the utopian aspects…as distinguished from its economic aspects’ (Sayres et al.
American Cultural Studies: An Introduction to American Culture by Neil Campbell, Alasdair Kean