By Ruth Soffer
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Additional info for Amazing Animals Coloring Book
It attempts to complete an incomplete pattern, or find a meaningful pattern embedded in a larger one, in accordance with what it already knows or expects to see. Once seen and understood, it is difficult to not see the image. The manner in which the mind assigns meaning to what it encounters is often unpredictable. We must therefore be continually aware that others may see something other than what we intend or expect them to see in our drawings. What do you see in this pattern of light and dark shapes?
At these junctures, look at the drawing and realign your pen or pencil with the previously stated edge to maintain a reasonable degree of accuracy and proportion. With only a glance for realignment, continue to draw, keeping your eyes on the subject. The more we focus on what we see, the more we will become aware of the details of a form—the thickness of a material, how it turns or bends around a corner, and the manner in which it meets other materials. When confronted with a myriad of details, we must judge the relative significance of each detail and draw only those contours that are absolutely essential to the comprehension and representation of the form.
As we draw the edges of positive shapes, we should also be aware of the negative shapes we are creating. Focusing on the shapes of these negative spaces prevents us from thinking consciously about what the positive shapes represent, and we are free to draw them purely as two-dimensional figures. In a paradoxical way, temporarily flattening the state of forms into two-dimensional shapes allows us to more accurately record the three-dimensional image we see before us. What we draw is often a compromise between what we know of an object and the optical image we see.
Amazing Animals Coloring Book by Ruth Soffer