Download PDF by Alfonsina Scarinzi: Aesthetics and the embodied mind : beyond art theory and the

By Alfonsina Scarinzi

ISBN-10: 9401793786

ISBN-13: 9789401793780

ISBN-10: 9401793794

ISBN-13: 9789401793797

The venture of naturalizing human consciousness/experience has made nice technical strides (e.g., in mapping parts of mind activity), yet has been hampered in lots of situations by means of its uncritical reliance on a dualistic “Cartesian” paradigm (though as a number of the authors within the assortment indicate, assumptions drawn from Plato and from Kant additionally play a role). the current quantity proposes a model of naturalism in aesthetics drawn from American pragmatism (above all from Dewey, but in addition from James and Peirce)―one primed from the beginning to work out humans not just as embodied, yet as inseparable from the surroundings they have interaction with―and offers a discussion board for authors from assorted disciplines to handle particular clinical and philosophical concerns in the anti-dualistic framework contemplating aesthetic event as a strategy of embodied meaning-making. Cross-disciplinary contributions come from major researchers together with Mark Johnson, Jim Garrison, Daniel D. Hutto, John T. Haworth, Luca F. Ticini, Beatriz Calvo-Merino.

The quantity covers pragmatist aesthetics, neuroaesthetics, enactive cognitive technology, literary experiences, psychology of aesthetics, artwork and layout, sociology.

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Extra resources for Aesthetics and the embodied mind : beyond art theory and the Cartesian mind-body dichotomy

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In other words, out of our bodily interaction with our environmental affordances, we take the meaning of things and events in certain specified ways, according to specific interactional patterns. George Lakoff [20] and I [15] have called these recurring patterns of interaction image schemas. For example, given our bodily makeup and the contours of our physical environment, verticality is a fundamental meaning structure for creatures like us. Hence, “up” and “down” are used to mark all sorts of significant relations, from simple physical orientations (“he went up the hill”) to abstract metaphorical relations (“She climbed the ladder of success,” “Prices rose overnight,” and “He went up the chain of command to get authority to act”).

28. Taub, Sarah. 2001. Language from the body: Iconicity and metaphor in American Sign Language. Cambridge: Cambridge University Press. 29. Tolstoy, Leo. 1896. What is Art? Trans. Almyer Maude. New York: MacMillan Publishing Company, 1960. 30. Zbikowski, Lawrence. 2002. Conceptualizing music: Cognitive structure, theory, and analysis. Oxford: Oxford University Press. Chapter 3 Dewey’s Aesthetics of Body-Mind Functioning Jim Garrison Abstract My chapter provides a genetic trace of the embodied actions (the “deeds” or pragma) of the live creatures we call Homo sapiens from the primacy of the aesthetic encounter with the precognitive qualitative situation that initiates inquiry, to the role of embodied feelings involved in selective attention that determine data for inference, to the cognitive role of embodied habits in establishing logical universals and carrying out thoughtful deliberation in artistically creating the consummatory aesthetic forms of techno-scientific inquiry.

Hutchins, E. 2006. Imagining the cognitive life of things. Paper presented at the workshop on the cognitive life of things. Recasting the boundaries of the mind, The McDonald Institute for Archeological Research, Cambridge, 7th–9th April 2006. 13. , I. Molnar-Szakacs, V. Gallese, G. C. Mazziotta, and G. Rizzolatti. 2005. Grasping the intentions of others with one’s own mirror neuron system. PLoS Biology 3(3): e79, 529–535. 14. M. 2001. Distributed primate cognition: A review. Animal Cognition 4: 167–183.

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Aesthetics and the embodied mind : beyond art theory and the Cartesian mind-body dichotomy by Alfonsina Scarinzi


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