By J. Jean Robertson
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When the roaring and shaking stopped, Ansel's terrified mother carried him downstairs to check the damage. Shattered china and bricks littered the floor, Page 9 mixed with smashed jars of preserves. Instead of being frightened, little Ansel was fascinated. " That same morning, an aftershock flung Ansel against a wall, breaking his nose. Throughout nearby San Francisco, hundreds died, and thousands lost their homes and businesses in the fires that followed the quake. Ansel's family stood by their window in the evening, watching the eerie glow of the burning city.
Page 18 As they made prints, the darkroom workers talked and joked. Ansel told so many stories about his Yosemite adventures that the others nicknamed him Ansel "Yosemite" Adams. Despite Ansel's enjoyment of photography, playing piano was what he took most seriously. In 1918 he graduated to a new piano teacher, Frederick Zech. Never had Ansel studied so hard. Each day, said Mr. Zech, Ansel should play an hour of finger exercises, an hour of Bach, an hour of Beethoven, and two hours of other composers.
But Ansel still felt frustrated. As with his other books, most people who bought it were Sierra Club members and others who already loved wild places. How could he reach the people he wanted most to reachthe people who didn't care? Ansel was too busy to answer that question. Nearly fifty years old, he was teaching photography at the California School of Fine Arts and writing a series of photography textbooks. Also, a friend named Edwin Land had recently invented a kind of "instant" photography, and Ansel was testing Land's new Polaroid cameras.
A Look at Impressionist Art by J. Jean Robertson